글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Considering that the majority of people do not need more than enough blood to interact in arduous action having a full tummy, the body will rebel initially by earning you are feeling terrible, but This is certainly an expected reaction. I want the group to experience alone well addressed, Primarily because it lives and allows me Stay; The posts are set, the booth of boards accomplished. Ye crowd more close to! My very own endeavor has long been cheered by the discovery, which the far more closely I reproduced the language of the first, the greater of its rhythmical character was transferred simultaneously. I truly feel impelled, its which means to determine,-- With honest purpose, once for all, The hallowed Primary To alter to my beloved German. Well-designed you might be, 'tis not to be denied, The remainder a bold handle will earn you; When you but in by yourself confide, At the same time confide all others in you. Consequently, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is certainly my correct aspect. Hayward's completely omits the aspect of poetry.
Hayward's ear didn't dictate to him the requirement of preserving the original rhythm. I honor him to the patient and conscientious labor he has bestowed upon his translation,--I cannot but feel that he has himself illustrated the unsoundness of his argument. Poetry will not be simply a style of expression: it is the kind of expression Definitely demanded by a specific course of Strategies. The English ear is suspicious of latest metres and unaccustomed sorts of expression: you will discover important detectives about the monitor of every creator, and also a violation on the acknowledged canons is accompanied by a summons to judgment. In Poetry which endures by its possess inherent vitality, there is absolutely no forced union of these two elements. The writer's thought is stripped of a last grace in passing through his head, and often provides a great deal the identical resemblance to the first being an unhewn shaft for the fluted column.
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